Untitled, 2026

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We are living in an era shaped by generative AI, where the lifespan of an image feels increasingly uncertain. This work begins from that instability, questioning how photographic space, and perhaps photography itself, might shift as images become infinitely producible.

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The series reinterprets a condition historically achieved through composite photography: a single viewpoint accumulating multiple moments into one frame. Time is collapsed, and distinct instants coexist. Here, however, the process is displaced. Instead of constructing images through manual compositing, I generate vast sets of spatial possibilities using AI, then selectively isolate those that retain coherence, tension, and meaning. The act of authorship resides in this selection.

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The spaces are dense, constructed, and inhabited. Human figures are never absent. They function both as subjects and as structural elements within the image, contributing to patterns, rhythms, and spatial legibility. Even when anonymous or repeated, their presence anchors the work, completing the architecture.

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At the same time, architectural language operates as the primary medium of the work. Elements are extended, compressed, and repeated, forming environments that oscillate between the plausible and the surreal.

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Through this process, the work examines repetition, scale, time, and occupation. It considers how images are authored, how they are read, and what it means to construct space in a moment when both image-making and perception are in flux. While the tools are contemporary, the inquiry remains consistent: how space is formed, how it is inhabited, and how meaning emerges when time, people, and structure collapse into a single frame.